Genesis: A Study in Shadows explores the fragile tension between creation and collapse. In this piece, forms do not resolve—they flicker, fracture, and reform, capturing the restless energy of a world in constant rebirth. What begins as eviction—an ending, a severing—becomes the seed of origin. The film resists linear time, offering instead a visceral cycle of emergence: darkness folding into light, ruin into renewal. This work is less a narrative than an atmosphere—a cinematic pulse of texture and void—inviting viewers to witness not what is told, but what is felt. Genesis here is not the first chapter, but every chapter written over itself, again and again.